Olaf Stapledon

Recent Reads: Veniss Underground

Veniss Underground

This book is worth every dollar and cent I paid for, despite my initial reservations about purchasing it: it seemed just too expensive for a 207-page paperback. I had intended to borrow it from the national library but it turned out that for some strange reason it was not available in the library’s catalogue even though the book had been on sale for more than a year.

Most of reviews I’ve read for this novel describe it as a Dantean-Ophean phatamasgoric fable set in a futuristic society where biological living artworks have pervaded into human society for both aesthetic and functional purposes. Having read this novel, I come to the realisation that there is probably no better way to describe it: it is the sum of what the reviewers have described and much more. Vandermeer’s writing style is impossible to describe, it can only be felt through reading and imagination.

Subjects: Books 書物

Mood: Raves and Rants

Tags: bio-art, Jeff VanderMeer, new media, Olaf Stapledon

"More Ethics, Less Aesthetics" of Bio-Art. Discuss with Examples.

The following essay was written for a module in my university called ‘New Media Art’ for the Jan-May semester in which I scored an A+ ^_^ A word of caution: While I’ve tried to be as accurate as I can while stating facts, I cannot guarantee that I’m 100% correct. If you’re doing a module similar to this: do not copy, do not cheat.

Subjects: School 学校

Tags: bio-art, new media, Olaf Stapledon

The End of Eternity

I finally read a book that has been lying in my collection for months because of blasted school and my annoying penchant for laziness: Asimov’s “The End of Eternity”.

My God, the story’s payoff has completely overwhelmed me. It’s in the league of the alien story in “The Gods Themselves” and more. I love it as much as the brilliant quote in his “Robots and Empire” where he philosphises through the eyes of Elijah Baley about humankind as a complex tapestry.

Eternity” begins as a science fiction story that appears to neatly tighten the loose ends of time-travel paradoxes that has often been questioned and criticised whenever the notion of time travel is discussed. But it evolves into something more: the consequences of controlling time and evolution to suit our ethical standards that are subjective to the era in which we are brought up in; the aesthetics and risk of seeking the unknown.

The book links also, very nicely with the Robots and Foundation stories. I would say it is sort of a prequel to the Robots series. However, this link is more a speculative one to the Robots and Foundation mythos than a direct connection.

Subjects: Books 書物

Mood: Raves and Rants

Tags: Arthur C. Clarke, ethics, Foundation, god, Issac Asimov, Olaf Stapledon, robot, science fiction

Syndicate content